Showing posts with label Hera. Show all posts
Showing posts with label Hera. Show all posts

Wednesday, June 19, 2013

The transformative fire

An interesting confluence of dreams, readings and experiences has just happened. I woke up this morning and was pondering these recent events when I had an epiphany and came up with the following words:
The trick to using the fire of anger is not to turn it outwards but to turn it inward. Fire always burns itself out. That is its nature. When you turn it outwards at others or the world sooner or later you end up exhausted and defeated, the burden of the world on your shoulders. But when you contain the fire of desire and ego inside, it burns out all that is impure in you; what is sick, dying, weak, fearful and ungenerous. Everything that must die. With every encounter you have that enrages the ego... keep hold of that fire. Don't let it dissipate into fantasies of revenge or, even worse, into actual outward directed action. Keep that fire for yourself. Use it to burn another tiny bit of ego out; to fuel the long, slow transformation of your Self from mud into Diamond.
So... I've been dealing with issues of anger, of self-defense and protecting oneself from all the slings and arrows of living in a cold, hard city like New York. Every day brings endless (ENDLESS!) encounters with the millions of other New Yorkers all doing their best to annoy the shit out of you: the idiots who block the doorway of subway cars, not letting people get off or get on. The people who cut you off to save a couple nanoseconds... that you catch up to at the next red light. People constantly trying to get one over on someone else, or being angry when they can't. Biking in the city in particular has become an exercise in maintaining my zen despite almost unbelievable idiocy and rudeness.

I've always been one of those people who'd rather avoid confrontation and just let things go but recently I've felt the urge to "defend my space". And I have. And MY GOD IS IT EXHAUSTING!!! When people get onto a train with plenty of extra space but feel the need to crowd into you and lean on the pole you're trying to hold onto, and you try to bump them out of the way, but they decide they're not going to let you be the boss of them and bump you back, and then shake their umbrella on your leg like a dog peeing on his territory. Countless incidents like this.

At one point I realized that, although this was something I was glad to have done to prove to myself that I could, it was absolutely exhausting! And totally not worth it. But it got me to thinking about certain types, like Heras and Zeuses (like my grandfather), people for whom this kind of jockeying is a way of life, and I thought no wonder they're angry all the time!! I'm not sure about Zeuses but I've noticed that Heras' sense of hurmor tends to be on the bitter, angry side. And they're always, always so angry! Like, all the time. Well, I know why now; being constantly obsessed with not letting others "get one up on you" makes you angry!

This realization didn't happen until I gave up trying to defend myself, and getting all angry about it. But I still had to figure out what to do with all the anger being generated by living in a city filled with rude assholes, so I went back to being zen but this time with just observing the emotion and not trying to make it go away; just letting it be and burn itself out. And I found myself feeling stronger and calmer each time I did it. Then I had the dreams, and did the reading. And this morning, as I was thinking yet again about the issues of anger, and Heras, it occurred to me that that's what anger is for; anger is the purifying fire that burns out whatever needs to be destroyed. In one of my dreams was this part:
A huge enemy army is outside our walls, attacking us. Many of the walls are broken. I get a weapon and start shooting them. Then I realize heat is coming from my hands. I aim my palms at them and concentrate. They become hot. I go out of the defense and among them. I set them on fire, but its with compassion. I hold them and tell them they can rest now. As I’m doing this all, these sad people are being burned to charcoal. My people are safe, though. I had given them a message to take the group far away, to a certain location, and I’d meet them there. I take the burning hot fire and blow it back over the rest of the army, completely destroying them.
I realized that the "sad people" in the dream were these parts of myself that needed to be burned out, that were tired and exhausted and needed to rest.

I'm not sure where all of this is going but the following part of my dream reminds me of the final outcome card in my reading:
We try to leave, but a woman (commander?) catches us. She sees the girl’s “knife” and takes it. I say it belongs to the girl. I’m very strong, powerful and relaxed. I’m also angry and I want to hurt the woman commander. I take her by the wrist (her arm is very thin – she herself is pretty thin as well) and life her whole body up, levering it at her wrist. I won’t let go. Finally, I feel it start to crack. Then I put her down. She says I’m really strong, that I must work out a lot. I tell her I don’t (implying that I’m just naturally strong.)
When I interpreted the reading, this part reminded me of the above:
His decisions are almost always the right ones, because he sees the big picture and never lets his heart sway his judgement. Though they might not benefit the King directly, his decisions are always in everyone's best interests. When this part of you starts to manifest you'll know it right away. The King of Swords' arrival in your life is an event that almost never goes unnoticed simply because he commands attention from everyone around him. He does not linger waiting for something to do; he appears only when he is needed to drive raging emotions from you, or when his impartiality and cold judgement will help you solve a problem.
The dream seems to imply that I'm dealing with the masculine female and the feminine male. The masculine female I think is what I used to be - to try to use the sword of my will to defend myself. But something was wrong with that. The tarot reading also indicates it has something to do with masculinity and will. It appears that all that time I spent in the last year or so trying to develop a relationship with my animus is finally strarting to come to fruition.


Tuesday, July 5, 2011

Archetypal relationships: Hera & Zeus

Zeus

Mythology

Hades, Poseidon, and Zeus drew lots for their kingdoms. Zeus got the sky, Poseidon the seas, and Hades the underworld. They agreed to share the earth. Instead, Zeus dominated the earth and the humans who later inhabited it. The Romans knew Zeus as Jupiter.

Emotional Control System

The sense of self enables power, freedom, and dominance. Too little Zeus energy causes impotence or passive-aggression.

Life Purpose

Zeus, Poseidon, and Hades were the "alpha" males of the Greek pantheon. Zeus men conform to society's rules. A Zeus man seeks a public identity - usually a career - that matches his inner sense of self-importance.

Shadow

Zeus men are status-seekers. A Zeus man may use deception to create the appearance of success. He may sacrifice his subordinates. He may claim credit for another person's work. He may blame another person for his failures. As the sky god, Zeus saw in wide overviews. He didn't have his feet on the ground. Zeus men can be ungrounded, out of touch with reality. They believe in positive thinking. They tune out negative facts and feelings. E.g., employees say that a "reality distortion field" surrounds Steve Jobs. A Zeus man may work for years to achieve success, then find that it's not what he expected. He spends his life climbing a mountain, then realizes that he climbed the wrong mountain.

Sex

Zeus had sex with any beautiful woman he fancied - and paid the price with a jealous and vengeful wife. Zeus men keep mistresses. But Zeus men aren't great lovers. Their focus on power stunts their emotional maturity.


Hera

Mythology

Hera was the wife of Zeus. She jealously and cruelly persecuted Zeus's lovers and their children. The Romans knew Hera as Juno.

Emotional Control System

Hera energy is about tradition, ritual, and ceremony.

Life Purpose

A Hera woman's life purpose is to embody her culture's traditions. She uses awareness of the past to create group cohesion. She makes individuals feel they are part of a group by reminding them what the group did in the past.

Shadow

Women who embody Hera often marry doctors, lawyers, or other successful men. But they don't really love their husbands. They love being a successful wife. Hera women love children who behave properly. But when their children don't fit their ideals, Hera women disconnect or even abandon their children. E.g., look at Nancy Reagan and her non-relationships with daughter Patti and son Ronnie. Too much Hera energy makes an individual a caricature of whom she thinks she is. Too little makes an individual not take anything seriously. Some women today reject Hera. They remember their mothers in the 1950s or 1960s, dependent and self-sacrificing. But pushing Hera into the shadow can cause a woman to feel emptiness, or incompleteness. Such a woman should consciously bring Hera's rituals into her life, in ways that don't betray her ideals.

Sex

To Hera women, sex is just part of marriage.


Zeus-Hera Marriage

A Zeus-Hera marriage tempers power with tradition. A couple that successfully uses this energy increases their social status.

Zeus

Zeus men see women as either marriageable - beautiful daughters of wealthy, prominent families - or women for sex (as basically just another kind of status symbol). They use marriage in their rise to power, e.g., marrying the boss's daughter. Once in power, they go for the beautiful young nymphs.

Hera

Hera women subscribe to wedding magazines. A Hera woman's wedding is the most important day of her life. A Hera woman may mistakenly marry an Apollo man. Apollo men aren't leaders. She'll push him into a CEO position in which he'll fail, when he would've been a successful vice-president. She'll ruin his career and then divorce him.

Under Stress

Under stress, Zeus and Hera becomes Dionysus. When "the going gets tough," a Zeus man or Hera woman loses emotional coldness and distance. A wounded, human side comes out. At best, he becomes a hero - and becomes sexy to women. She becomes a "real person"-and sexy to men. At worst, a Zeus man or a Hera woman becomes hysterical, or turns to another side of Dionysus-alcohol.

When Safe

When safe, Zeus and Hera becomes Poseidon. They continue to be "alpha," but "lets their hair down" and show emotions.

http://en.wikibooks.org/wiki/Relationships/Zeus-Hera


Hera in myth

From Wikipedia

Hera was the wife and one of three sisters of Zeus in the Olympian pantheon of classical Greek Mythology. Her chief function was as the goddess of women and marriage. The cow, and later, the peacock were sacred to her. Hera's mother was Rhea and her father, Cronus. Portrayed as majestic and solemn, often enthroned, and crowned with the polos (a high cylindrical crown worn by several of the Great Goddesses), Hera may bear a pomegranate in her hand, emblem of fertile blood and death and a substitute for the narcotic capsule of the opium poppy. A scholar of Greek mythology Walter Burkert writes in Greek Religion, "Nevertheless, there are memories of an earlier aniconic representation, as a pillar in Argos and as a plank in Samos." Hera was known for her jealous and vengeful nature, most notably against Zeus's lovers and offspring, but also against mortals who crossed her, such as Pelias. Paris offended her by choosing Aphrodite as the most beautiful goddess, earning Hera's hatred.

Hera, her children and the affairs of Zeus

Hera presides over the right arrangements of the marriage and is the archetype of the union in the marriage bed, but she is not notable as a mother. The legitimate offspring of her union with Zeus are Ares (the god of war), Hebe (the goddess of youth), Eris (the goddess of discord) and Eileithyia (goddess of childbirth). Enyo, a war goddess responsible with the destruction of cities and attendant of Ares, is also mentioned as a daughter of Zeus and Hera, though Homer equates her with Eris. Hera was jealous of Zeus' giving birth to Athena without recourse to her (actually with Metis), so she gave birth to Hephaestus without him. Hera was then disgusted with Hephaestus' ugliness and threw him from Mount Olympus. In an alternate version, Hera alone produced all of the children usually accredited to her union with Zeus by beating her hand on the Earth, a solemnizing action for the Greeks. Hephaestus gained revenge against Hera for rejecting him by making her a magical throne which, when she sat on, did not allow her to leave. The other gods begged Hephaestus to return to Olympus to let her go, but he repeatedly refused. Dionysus got him drunk and took him back to Olympus on the back of a mule. Hephaestus released Hera after being given Aphrodite as his wife.

Hera, the enemy of Heracles

Hera was the stepmother and enemy of Heracles, who was named "Hera-famous" in her honor; Heracles is the hero who, more than even Perseus, Cadmus or Theseus, introduced the Olympian ways in Greece. When Alcmene was pregnant with Heracles, Hera tried to prevent the birth from occurring by tying Alcmene's legs in knots. She was foiled by Galanthis, her servant, who told Hera that she had already delivered the baby. Hera punished Galanthis by turning her into an animal.

While Heracles was still an infant, Hera sent two serpents to kill him as he lay in his cot. Heracles throttled a single snake in each hand and was found by his nurse playing with their limp bodies as if they were a child's toys. The anecdote is built upon a representation of the hero gripping a serpent in each hand, precisely as the familiar Minoan snake-handling goddesses had once done. "The picture of a divine child between two serpents may have been long familiar to the Thebans, who worshiped the Cabeiri, although not represented as a first exploit of a hero".

Later she stirred up the Amazons against him when he was on one of his quests.

One account of the origin of the Milky Way is that Zeus had tricked Hera into nursing the infant Heracles: discovering who he was, she pulled him from her breast, and a spurt of her milk formed the smear across the sky that can be seen to this day. Unlike any Greeks, the Etruscans instead pictured a full-grown bearded Heracles at Hera's breast: this may refer to his adoption by her when he became an Immortal. He had previously wounded her severely in the breast.

Hera assigned Heracles to labor for King Eurystheus at Mycenae. She attempted to make almost each of Heracles' twelve labors more difficult. When he fought the Lernaean Hydra, she sent a crab to bite at his feet in the hopes of distracting him. When Heracles took the cattle of Geryon, he shot Hera in the right breast with a triple-barbed arrow: the wound was incurable and left her in constant pain, as Dione tells Aphrodite in the Iliad, Book V. Afterwards, Hera sent a gadfly to bite the cattle, irritate them and scatter them. Hera then sent a flood which raised the water level of a river so much that Heracles could not ford the river with the cattle. He piled stones into the river to make the water shallower. When he finally reached the court of Eurystheus, the cattle were sacrificed to Hera. Eurystheus also wanted to sacrifice the Cretan Bull to Hera. She refused the sacrifice because it reflected glory on Heracles. The bull was released and wandered to Marathon, becoming known as the Marathonian Bull.

Some myths state that in the end , Hera befriended Heracles for saving her from Porphyrion, a giant who tried to rape her during the Gigantomachy, and that she even gave her daughter Hebe as his bride. Whatever myth-making served to account for an archaic representation of Heracles as "Hera's man" it was thought suitable for the builders of the Heraion at Paestum to depict the exploits of Heracles in bas-reliefs.

Echo

According to the urbane retelling of myth in Ovid's Metamorphoses, for a long time, a nymph named Echo had the job of distracting Hera from Zeus' affairs by leading her away and flattering her. When Hera discovered the deception, she cursed Echo to only repeat the words of others (hence our modern word "echo").

Leto and Artemis/Apollo

When Hera discovered that Leto was pregnant and that Zeus was the father, she banned Leto from giving birth on "terra-firma", or the mainland, or any island at sea. Poseidon gave pity to Leto and guided her to the floating island of Delos, which was neither mainland nor a real island, and Leto was able to give birth to her children on the island. As a gesture of gratitude, Delos was secured with four pillars. The island later became sacred to Apollo. Alternatively, Hera kidnapped Eileithyia, the Goddess of Childbirth, to prevent Leto from going into labor. The other gods bribed Hera with a beautiful necklace nobody could resist and then finally gave in. Either way, Artemis was born first and then assisted with the birth of Apollo. Some versions say Artemis helped her mother give birth to Apollo for nine days. Another variation states that Artemis was born one day before Apollo, on the island of Ortygia and that she helped Leto cross the sea to Delos the next day to give birth to Apollo.

Semele and Dionysus

When Hera learned that Semele, daughter of Cadmus King of Thebes, was pregnant by Zeus, she disguised herself as Semele's nurse and persuaded the princess to insist that Zeus show himself to her in his true form. When he was compelled to do so, his thunder and lightning blasted her. Zeus took the child and completed its gestation sewn into his own thigh. Another variation is when Hera persuades Semele to force Zeus to show himself in his real form. Unfortunately, he must do what the princess wants, having sworn by Styx. In another version, Dionysus was originally the son of Zeus by either Demeter or Persephone. Hera sent her Titans to rip the baby apart, from which he was called Zagreus ("Torn in Pieces"). Zeus rescued the heart and gave it to Semele to impregnate her; or, the heart was saved, variously, by Athena, Rhea, or Demeter. Zeus used the heart to recreate Dionysus and implant him in the womb of Semele—hence Dionysus became known as "the twice-born". Certain versions imply that Zeus gave Semele the heart to eat to impregnate her. Hera tricked Semele into asking Zeus to show his true form, which killed her. But Dionysus managed to rescue her from the underworld and have her live on Mount Olympus.

Io

Hera almost caught Zeus with a mistress named Io, a fate avoided by Zeus turning Io into a beautiful white heifer. However, Hera was not completely fooled and demanded that Zeus give her the heifer as a present.

Once Io was given to Hera, she placed her in the charge of Argus to keep her separated from Zeus. Zeus then commanded Hermes to kill Argus, which he did by lulling all one hundred eyes to sleep. In Ovid's interpolation, when Hera learned of Argus' death, she took his eyes and placed them in the plumage of the peacock, accounting for the eye pattern in its tail. Hera then sent a gadfly to sting Io as she wandered the earth. Eventually Io was driven to the ends of the earth, which the Romans believed to be Egypt, where she became a priestess of the Egyptian goddess, Isis.

Lamia

Lamia was a queen of Libya, whom Zeus loved. Hera turned her into a monster and murdered their children. Or, alternatively, she killed Lamia's children and the grief turned her into a monster. Lamia was cursed with the inability to close her eyes so that she would always obsess over the image of her dead children. Zeus gave her the gift to be able to take her eyes out to rest, and then put them back in. Lamia was envious of other mothers and ate their children.

Other stories involving Hera

Gerana: Gerana was a queen of the Pygmies who boasted she was more beautiful than Hera. The wrathful goddess turned her into a crane and proclaimed that her bird descendants should wage eternal war on the Pygmy folk.

Cydippe: Cydippe, a priestess of Hera, was on her way to a festival in the goddess' honor. The oxen which were to pull her cart were overdue and her sons, Biton and Cleobis, pulled the cart the entire way (45 stadia, 8 kilometers). Cydippe was impressed with their devotion to her and her goddess and asked Hera to give her children the best gift a god could give a person. Hera ordained that the brothers would die in their sleep.

This honor bestowed upon the children was later used by Solon, as a proof while trying to convince Croesus that it is impossible to judge a person's happiness until they have died a fruitful death after a joyous life.

Tiresias: Tiresias was a priest of Zeus, and as a young man he encountered two snakes mating and hit them with a stick. He was then transformed into a woman. As a woman, Tiresias became a priestess of Hera, married and had children, including Manto. After seven years as a woman, Tiresias again found mating snakes, struck them with her staff, and became a man once more. As a result of his experiences, Zeus and Hera asked him to settle the question of which sex, male or female, experienced more pleasure during intercourse. Zeus claimed it was women; Hera claimed it was men. When Tiresias sided with Zeus, Hera struck him blind. Since Zeus could not undo what she had done, he gave him the gift of prophecy. An alternative and less commonly told story has it that Tiresias was blinded by Athena after he stumbled onto her bathing naked. His mother, Chariclo, begged her to undo her curse, but Athena could not; she gave him prophecy instead.

Chelone: At the marriage of Zeus and Hera, a nymph named Chelone was disrespectful or refused to attend. Zeus condemned her by turning her into a turtle.

The Iliad: According to the Iliad, during the Trojan War, Diomedes fought Hector and saw Ares fighting on the Trojans' side. Diomedes called for his soldiers to fall back slowly. Hera, Ares' mother, saw Ares' interference and asked Zeus, Ares' father, for permission to drive Ares away from the battlefield. Hera encouraged Diomedes to attack Ares and he threw his spear at the god. Athena drove the spear into Ares' body, and he bellowed in pain and fled to Mt. Olympus, forcing the Trojans to fall back.

The Golden Fleece: Hera hated Pelias because he had killed Sidero, his step-grandmother, in one of the goddess's temples. She later convinced Jason and Medea to kill Pelias. Golden Fleece was the item that Jason needed to get his mother freed.

The Metamorphoses: In Thrace, Hera and Zeus turned King Haemus and Queen Rhodope into mountains,[40] the Balkan (Haemus Mons) and Rhodope mountain chains respectively, for their hubris in comparing themselves to the gods.

Hera's early importance

Both Hera and Demeter had many characteristic attributes of the former Great Goddess. The Minoan goddess represented in seals and other remains, whom Greeks called Potnia Thēron 'Mistress of Animals', many of whose attributes were later also absorbed by Artemis, seems to have been a mother goddess type, for in some representations she suckles the animals that she holds. Sometimes this devolved role is as clear as a simple substitution can make itAccording to the Homeric Hymn III to Delian Apollo, Hera detained Eileithyia to already prevent Leto from going into labor with Artemis and Apollo, since the father was Zeus. The other goddesses present at the birthing on Delos sent Iris to bring her. As she stepped upon the island, the divine birth began. In the myth of the birth of Heracles, it is Hera herself who sits at the door instead, delaying the birth of Heracles until her protégé, Eurystheus, had been born first.

The Homeric Hymn to Pythian Apollo makes the monster Typhaon the offspring of archaic Hera in her Minoan form, produced out of herself, like a monstrous version of Hephaestus, and whelped in a cave in Cilicia. She gave the creature to Gaia to raise.

In the Temple of Hera at Olympia, Hera's seated cult figure was older than the warrior figure of Zeus that accompanied it. Homer expressed her relationship with Zeus delicately in the Iliad, in which she declares to Zeus, "I am Cronus' eldest daughter, and am honourable not on this ground only, but also because I am your wife, and you are king of the gods." Though Zeus is often called Zeus Heraios 'Zeus, (consort) of Hera', Homer's treatment of Hera is less than respectful, and in late anecdotal versions of the myths she appeared to spend most of her time plotting revenge on the nymphs seduced by her Consort, for Hera upheld all the old right rules of Hellene society and sorority.

Matriarchy

There has been considerable scholarship, reaching back to Johann Jakob Bachofen in the mid-nineteenth century, about the possibility that Hera, whose early importance in Greek religion is firmly established, was originally the goddess of a matriarchal people, presumably inhabiting Greece before the Hellenes. In this view, her activity as goddess of marriage established the patriarchal bond of her own subordination: her resistance to the conquests of Zeus is rendered as Hera's "jealousy", the main theme of literary anecdotes that undercut her ancient cult. It remains however a controversial claim that primitive matriarchy existed in Greece or elsewhere.

The young Hera

Hera was most known as the matron goddess, Hera Teleia; but she presided over weddings as well. In myth and cult, fragmentary references and archaic practices remain of the sacred marriage of Hera and Zeus,[16] and at Plataea, there was a sculpture of Hera seated as a bride by Callimachus, as well as the matronly standing Hera.

Hera was also worshipped as a virgin: there was a tradition in Stymphalia in Arcadia that there had been a triple shrine to Hera the Girl (Pais), the Adult Woman (Teleia) , and the Separated (Chrē 'Widowed' or 'Divorced'). In the region around Argos, the temple of Hera in Hermione near Argos was to Hera the Virgin. At the spring of Kanathos, close to Nauplia, Hera renewed her virginity annually, in rites that were not to be spoken of (arrheton).

Emblems of the presence of Hera

In Hellenistic imagery, Hera's wagon was pulled by peacocks, birds not known to Greeks before the conquests of Alexander. Alexander's tutor, Aristotle, refers to it as "the Persian bird." The peacock motif was revived in the Renaissance iconography that unified Hera and Juno, and which European painters focused on. A bird that had been associated with Hera on an archaic level, where most of the Aegean goddesses were associated with "their" bird, was the cuckoo, which appears in mythic fragments concerning the first wooing of a virginal Hera by Zeus.

Her archaic association was primarily with cattle, as a Cow Goddess, who was especially venerated in "cattle-rich" Euboea. On Cyprus, very early archaeological sites contain bull skulls that have been adapted for use as masks. Her familiar Homeric epithet Boôpis, is always translated "cow-eyed", for, like the Greeks of Classical times, its other natural translation "cow-faced" or at least "of cow aspect" is rejected. A cow-headed Hera, like a Minotaur would be at odds with the maternal image of the later classical period. In this respect, Hera bears some resemblance to the Ancient Egyptian deity Hathor, a maternal goddess associated with cattle.

The pomegranate, an ancient emblem of the Great Goddess, remained an emblem of Hera: many of the votive pomegranates and poppy capsules recovered at Samos are made of ivory, which survived burial better than the wooden ones that must have been more common. Like all goddesses, images of Hera might show her wearing a diadem and a veil.

Epithets

Akráia 'She of the Heights'
Ammonia
Argéia 'She of Argos'
Basíleia 'Queen'
Leuklenos 'White-Armed'
Pais 'Child' (in her role as virgin)
Parthénos 'Virgin'
Teléia (as goddess of marriage)
Chrē 'Widowed'



Thursday, June 30, 2011

The Hera archetype: a deeper look

From Goddess Power


Possesses an extroverted temperament and a focus on issue of outer world control/power. She represents goddess of marriage--concerned with partnership and her relationship as wife to a man. She faces life challenges regarding power, status and leadership. Hera belongs to the relationship-oriented ‘vulnerable’ goddess category, suffering humiliation by her god husband, Zeus. In fact, Zeus was her twin brother. He attempted, unsuccessfully, to court her so he disguised himself as a shivering little bird to obtain pity from her. His ruse worked, when she tenderly drew him to her breast, he returned to his true shape and raped her. She was shamed into marrying him. As her husband, he also shamed her by engaging in numerous extramarital sexual liaisons, further causing her humiliation. Hera had allegedly led a conspiracy against Zeus as an act of revenge.

A Hera type woman desires a highly successful, powerful man as her partner--one who will share his power and status with her. Traditional in her values, she seeks social prestige and matriarchal rulership through marriage. Her awareness is focused.

It is believed that the myth of the conflictual marriage of Zeus and Hera relates back to the time when a barbarous northern tribe invaded Greece around 1000 B.C.E., bringing with them their masculinized sky gods. The ancient Greeks at this time were believed to be revering the mother goddess and celebrating her magical powers. Historians suggest that the invaders, occupying this feminine culture, overpowered them and forced their submission to the invaders’ beliefs. From the perspective of myth and psychology, the feminine culture of ancient Greece was ‘raped’ and coerced into ‘marriage’ to the barbarous invader tribe. In this way, Hera represents the uniting of feminine and masculine energies.

The ancient Olympian Goddesses - a deeper look

Hera represents the feminine archetype of wife and matriarch of the family; she thrives in the partnership of marriage, particularly to a powerful husband whose high degree of success and prestige privileges her to enjoy position of status and power. Hera, the Greek goddess, presided over marriage and embodies the instinct to become mated.


Mythological history: Hera was married to the supreme deity, Zeus. He was her only husband. Her role in Greek mythology was goddess of marriage. She suffered from his numerous affairs with other goddesses and mortals, alike. She was said to punish these participants in harsh ways. The ancient Greek writers appear to portray her as a stereotypical nagging, evil-tempered woman full of petty revenges. However, prior to the Greeks, the more ancient cult that worshipped her celebrated in her honor the hieros gamos, the ‘Sacred Marriage’. This sacred festival celebrates the Earth Goddess and the Sky god regenerating the cosmos with their lovemaking. This ancient Hera goddess in earlier matriarchal times was a complete, whole woman in her own right. The Zeus--Hera marriage of later Greeks refers to the barbarous hunter tribe who invaded Greece at the end of the second millennium B.C.E and imposing their masculine deities--forcing a ‘marriage’ between the matriarchal cults and patriarchal dominance.

Psychologically, Hera belongs to the ‘vulnerable’ goddess category, suffering humiliation at the hand of her husband/deity Zeus through his shameless infidelities.

    * To the Romans Hera was known as Juno.
    * Hera was born to Rhea and Cronos, one of their last children. Cronos had also swallowed her at birth--she was already a young girl when she emerged from him. Instead of being raised by her parents, she was put into the care of two nature deities who acted as elderly foster parents.
    * Hera woman subscribes to the fundamental value of traditional home and family; she is single-mindedly prepared to sacrifice her own career to achieve the solid and respected and prestigious status for her family as wife of successful, powerful man.
    * Young Hera woman sees her self-completion through her marriage--in her new identity as wife and helpmate to her promising, striving husband.
    * Hera energy is most visible in mature women, therefore, in the second half of life when she is more able to enjoy the full impact of her natural authority and dignity--possessing executive, leadership ability.
    * Hera woman at a younger age is looking, first and foremost, for a husband--admires and seeks a strong, ambitious male, a male most promising to succeed--Attaining marriage status, she will dutifully remain home raising her family, putting her own individual career ambitions on hold while fostering the beginnings of a growing family. Hera-type sees this strategy as an investment for her future
    * Hera-type who miscalculates her husband’s promse of success may take to manipulate him behind the scene--directing and calculating his moves--nagging and even bullying him tio achieve in accordance with her expectations
    * Hera-type’s masculine drive within a partnership is less likely to be sublimated in creative ways. Due to her need for power in relationship, and particularly in one that is unequal, she becomes increasingly frustrated and angry, driven and unbalanced. She may become verbally abusive toward her family, venting her disappointment in them; she may turn to alcohol or other feeling-numbing patterns
    * Hera-type exhibits exacting standards toward her children--often in an over-disciplined style typically learned from her own mother. She trains her children of her expectations of good behavior, obedience, politeness--she is more like a ruler than a nurturer.
    * Hera-type mothers run the risk of holding high ambitions for their children, directing the adult child’s career in a direction that may be more in line with her own neglected personal goals rather than recognizing or nurturing her adult child’s dreams
    * Aspiring to prominence, Hera woman enjoys a natural affinity with power, and sometimes, elitism or snobbery, potentially bordering on arrogance, intemperance, self- righteous, and also self-assured, strong-willed, authoritative.
    * Hera woman demands high standards; she may appear critical, opinionated and dictatorial. She knows exactly what she wants.
    * In appearance she is conservatively, albeit, well-dressed and frequently emanating a ‘large’ presence even if she is not physically so.
    * Hera woman highly values social position and is found heading up planning committees, board of directors, country club meetings, charity organizations, fund-raiser banquets--making the calls and contacts
    * Hera woman at home is experienced as the ‘Queen Bee’--“ruling” her extended family as the matriarch--she loves family occasions--more, however, for the enjoyment of ‘reverence’ due her from her family. She has a strong notion of respectability
    * Hera woman, having traveled by her husband’s side in his climb to the ‘top’, typically becomes his chief confidante and advisor; she is able to influence him, considerably.


Challenges facing Hera

          o If she marries a man who ultimately does not meet with success, she may manipulate him behind the scene--typifying the light/dark couple--polite, accommodating husband and domineering wife.
          o She can become unbalanced psychologically and driven intensely by the very thing she wants to control.
          o She may stay committed to an unhealthy relationship or marriage - one in which she suffers her husband’s infidelities. She may exhibit repeated jealousy and vindictiveness - rather than recognizing the unhealthy pattern and leaving the relationship.
          o Addiction to perfection



Financial and emotional dependence on her husband - her own unexplored autonomy - her unlived life apart from that of her marriage - her limited relationship to her own sexuality. Her issue - her unrecognized lust for power.

Hera’s wound

Hera was denigrated by the patriarchal ancient society--originally, held in esteem as a powerful and revered goddess of the sacred ritual of marriage; later demoted and disparaged as a jealous, vindictive and quarrelsome wife.

Hera’s gifts

As an ancient pre-Hellenic goddess, she represents the highest form of marriage--of Queen and King--of union of feminine and masculine.
    * Hera’s gift is her capacity to unite, to commit and to be a loyal and faithful partner.
    * Hera’s ideal - a complete and whole woman in her own right in honor of the feminine principle. The ‘marriage’ represents, psychologically, the marriage of her own feminine and masculine energies. Her partner, then, will mirror her own inner opposite qualities. She chooses, in her partner, the most longed for and most important images of her own inner, and, as yet unknown self--a major psychological undertaking and emotional work.


Hera’s ideal

A complete and whole woman in her own right in honor of the feminine principle. The ‘marriage’ represents, psychologically, the marriage of her own feminine and masculine energies. Her partner, then, will mirror her own inner opposite qualities. She chooses, in her partner, the most longed for and most important images of her own inner, and, as yet unknown self--a major psychological undertaking and emotional work.

Hera’s personality



          o As a child & adolescent:
                + A primarily Hera type child will typically be found playing house - but not by being ‘mommy’ nurturing her dollies - rather, she is the ‘big person’ keeping house for her husband.
                + She may have a boyfriend earlier than most girls--say, 6 or 7 years of age.
                + By adolescence she is definitely ‘going steady’ - dreaming of becoming a wife.
                + She is most often status-conscious - she will be seeking out the top sports ‘jock’, or class president; being part of the ‘in’ crowd is important to her. She wants to be the ‘in’ couple.
                + College is most likely the place for her to find a suitable husband rather than finding her own autonomous goals.

  o As an adult woman:
                + Hera types typically do not have close female friendships - her female friends are, as she is, part of a couple, frequently the wives of her husband’s business associates. Hera women typically drop their women friends who are no longer coupled, thus, reinforcing that woman has no relevance without a husband.
                + Sexuality is typically not enjoyed for its own pleasures, rather, as a wifely aspect of marriage - it is not unusual for her to be inorgasmic for many years.
                + As a mother Hera tends to demand proper behavior, enforcing rules and holding high expectations of her children, academically and socially.


Sunday, June 26, 2011

Exploring the archetypes: Hera

This series is going to be both a collection of information about a particular archetype as well as an ongoing exploration of the archetype: it's mythological history, relations with other archetypes, my own musings, whatever comes up.


Hera in Myth: a synopsis

HERA was the Olympian queen of the gods and the goddess of women and marriage. She was also a goddess of the sky and starry heavens. She was usually depicted as a beautiful woman wearing a crown and holding a royal, lotus-tipped staff. Sometimes she held a royal lion or had a cuckoo or hawk as her familiar.

Some of the more famous myths featuring the goddess include:

■Her marriage to Zeus and her earlier seduction by the god in the guise of a cuckoo bird;
■The birth of Hephaistos who she produced alone and cast from heaven because he was crippled;
■Her persecution of the consorts of Zeus, especially Leto, Semele and Alkmene;
■Her persecution of Herakles and Dionysos, the favourite bastard sons of Zeus;
■The punishment of Ixion, who was chained to a fiery wheel for attempting to violate the goddess;
■The assisting of the Argonauts in their quest for the golden fleece, their leader Jason being one of her favourites;
■The judgement of Paris, in which she competed against Aphrodite and Athene for the prize of the golden apple;
■The Trojan War, in which she assisted the Greeks.



From the Library of Halexandria

One of the vulnerable goddesses.  She was [is] relationship-oriented (dependent upon a significant one), had a need for affiliation, tended to experience powerlessness and responded with rage and jealousy, accepting, diffuse awareness. Fundamentally incomplete without a marriage partner, Hera yearned to be a wife, stately, regal, a Nancy Reagan, beautiful, honored and humiliated, with the capacity to bond, loyal, faithful, enduring, committed, predisposed to displace blame from her mate (on whom she was emotionally dependent) onto others, vindictive (a mental sleight of hand which made her feel powerful rather than rejected), derived emotional security from a high-status male, work was secondary, placed minimal importance on female friends (husband’s primary friend), preferred a man who was emotionally dependent upon her, saw sex as a duty, could oppress other women, could be very destructive, and judgmental of other women (and really hated Aphrodite types!).  He style of “limiting herself to being a wife results in limiting her growth and ability to adapt, if death or divorce brings her wife role to an end.”  She is only a half of a whole, fulfilling a culturally determined role.



Tarot Correspondences

Each archetype has two corresponding Tarot cards: one from the Minor Arcana, which shows the archetype at it's healthiest - it's the way we can manifest their power and energy. The corresponding card from the Major Arcana, on the other hand, is the divine gift of the spiritual realm that they're seeking to manifest through us.

Queen of Wands

She is almost universally pictured with a cat, and this feline companion represents Venus in both its creative and sinister aspects. Thus the Queen of Wands is someone who can use for fire energy for good or evil; almost a Swords notion. The person who takes after the Queen of Wands will know what they want in life, and they will go after it whenever they get the opportunity. Such a person cannot be swayed from their goals, no matter how strong the forces opposing them. She is independent but has a lot of friends - in fact, she is almost always the center of attention of a large group. Her charisma and enthusiasm tends to attract others to her. And that's not all people are attracted to - the Queen tends to be a very sexy and sensual woman, despite being by far the most masculine of the Queens. Such are the contradictions inherent in this fiery and ambitious woman! But there is that negativity factor talked about earlier left to consider. Her sutbbornness will often lead to her detriment as she pursues an ambition for too long and burns herself out in the process. Even the Queen of Wands is not invincible, though from her general outlook on life she might seem to be, and she definitely believes she is. She always has to be on the move, and she will not tolerate anything that makes her stay somewhere for longer than she wants to. Often she takes others' problems into her own hands to see them solved more quickly, and in fragile situations this can cause more problems than it solves. In general, she would make a great friend, but a very dangerous enemy.

Her constancy and dedication will surely be an aid if you have a creative vision that needs to be carried out, and her innate magnetism will draw to you all the allies and friends that you need. If people call on your strength then be ready to give it; if people ask your guidance, do not hesitate to speak your mind. Engage tough issues with all your might, and do not relent until the day is won.

The World (XXI)

After every obstacle has been faced and surmounted, after every path has been travelled and charted, there remains only the last step to the next level of existence - the World, the final gateway: the union with the Divine. This card, as befits its nature, has the same basic symbolism in almost all of its myriad version. There are the four cherubs embodying their domains; The bull for matter, the lion for energy, the eagle for time and the man for space. Together they represent the unified creation and control of all things in the Universe. Another common motif is the dancer in the centre, with her twin wands. The wand is that of the Magician, but it has now multiplied, and the need to ground its magical power has vanished because it has become one with its source of power. Positive and negative can be seen as two parts of the same whole. One is many. Many are one. All the lessons learned have been put to use. All the tasks accomplished have born fruit and brought prosperity. Every cause has had its effects and all of the diverse threads of effects have been woven into a tapestry of your life as you have lived it.

Happiness, and the peak of ecstasy. The present is now. The future is now. Eternity is now.



Hera pages

Hera musings


Again, much of the above descriptions comes from The American Tarot Association, Goddess Power, The Library of Halexandria and from Wikipedia pages on the various tarot cards. All credit goes to them for their brilliant explorations of the archetypes and tarot cards. Make sure you check them out yourself and get their wisdom first hand (links are over there to the right.)


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