Showing posts with label Artemis. Show all posts
Showing posts with label Artemis. Show all posts

Tuesday, July 5, 2011

Artemis in myth

From Wikipedia

Artemis was one of the most widely venerated of the Ancient Greek deities. Her Roman equivalent is Diana. Some scholars believe that the name, and indeed the goddess herself, was originally pre-Greek. Homer refers to her as Artemis Agrotera, Potnia Theron "Artemis of the wildland, Mistress of Animals". In the classical period of Greek mythology, Artemis (Greek: (nominative) Ἄρτεμις, (genitive) Ἀρτέμιδος) was often described as the daughter of Zeus and Leto, and the twin sister of Apollo. She was the Hellenic goddess of the hunt, wild animals, wilderness, childbirth, virginity and young girls, bringing and relieving disease in women; she often was depicted as a huntress carrying a bow and arrows. The deer and the cypress were sacred to her. In later Hellenistic times, she even assumed the ancient role of Eileithyia in aiding childbirth.

Artemis later became identified with Selene, a Titaness who was a Greek moon goddess, sometimes depicted with a crescent moon above her head. She was also identified with the Roman goddess Diana, with the Etruscan goddess Artume, and with the Greek or Carian goddess Hecate.

Birth

Various conflicting accounts are given in Classical Greek mythology of the birth of Artemis and her twin brother, Apollo. All accounts agree, however, that she was the daughter of Zeus and Leto and that she was the twin sister of Apollo. An account by Callimachus has it that Hera forbade Leto to give birth on either terra firma (the mainland) or on an island. Hera was angry with Zeus, her husband, because he had impregnated Leto. But the island of Delos (or Ortygia in the Homeric Hymn to Artemis) disobeyed Hera, and Leto gave birth there. The myths also differ as to whether Artemis was born first, or Apollo. Most stories depict Artemis as born first, becoming her mother's mid-wife upon the birth of her brother Apollo.

Childhood

The childhood of Artemis is not fully related in any surviving myth. The Iliad reduced the figure of the dread goddess to that of a girl, who, having been thrashed by Hera, climbs weeping into the lap of Zeus. A poem of Callimachus to the goddess "who amuses herself on mountains with archery" imagines some charming vignettes: according to Callimachus, at three years old, Artemis, while sitting on the knee of her father, Zeus, asked him to grant her six wishes: to remain always a virgin; to have many names to set her apart from her brother Apollo; to be the Phaesporia or Light Bringer; to have a bow and arrow and a knee-length tunic so that she could hunt; to have sixty "daughters of Okeanos", all nine years of age, to be her choir; and for twenty Amnisides Nymphs as handmaidens to watch her dogs and bow while she rested. She wished for no city dedicated to her, but to rule the mountains, and for the ability to help women in the pains of childbirth.

Artemis believed that she had been chosen by the Fates to be a midwife, particularly since she had assisted her mother in the delivery of her twin brother, Apollo. All of her companions remained virgins and Artemis guarded her own chastity closely. Her symbols included the golden bow and arrow, the hunting dog, the stag, and the moon. Callimachus tells how Artemis spent her girlhood seeking out the things that she would need to be a huntress, how she obtained her bow and arrows from the isle of Lipara, where Hephaestus and the Cyclops worked. Okeanus' daughters were filled with fear, but the young Artemis bravely approached and asked for bow and arrows. Callimachus then tells how Artemis visited Pan, the god of forest and he gave her seven bitches and six dogs. She then captured six golden-horned deer to pull her chariot. Artemis practiced with her bow first by shooting at trees and then at wild beasts.

Wooing the Goddess

As a young virgin, Artemis had interested many gods and men, but none of them successfully won her heart, except her hunting companion Orion, who was then accidentally killed either by the goddess herself or by Gaia. Alpheus, a river god, was in love with Artemis, but he realized that nothing he could do would win her heart. So he decided to capture her. Artemis who was with her companions at Letrenoi, went to Alpheus, but suspicious of his motives, she covered her face with mud so the river god would not recognize her. Another story involving the god is the story where he tried to rape Artemis' attendant Arethusa. The goddess felt pity for her and saved her by transforming Arethusa into a spring in Artemis' temple, Artemis Alphaea in Letrini, where the goddess and her attendant drink. Bouphagos, the son of the Titan Iapetos, saw Artemis and had a thought of raping her. Detecting his sinful thoughts Artemis struck him at Mount Pholoe. Sipriotes was a boy who, either because he accidentally saw Artemis bathing or attempted to rape her, was turned into a girl by the goddess.

Actaeon

Artemis was once bathing in a vale on Mount Cithaeron, when the Theban hunter Actaeon stumbled across her. Enraged, Artemis turned him into a stag and, not knowing their own owner, Actaeon's own dogs killed him.

Adonis

In some versions of the story of Adonis, who was a late addition to Greek mythology during the Hellenistic period, Artemis sent a wild boar to kill Adonis as punishment for his hubristic boast that he was a better hunter than she. In other versions, Artemis killed Adonis for revenge. In later myths, Adonis had been related as a favorite of Aphrodite, and Aphrodite was responsible for the death of Hippolytus, who had been a favorite of Artemis. Therefore, Artemis killed Adonis to avenge Hippolytus’s death. In yet another version, Adonis was not killed by Artemis, but by Ares, as punishment for being with Aphrodite.

Orion

Orion was a hunting companion of the goddess Artemis. In some versions of his story he was killed by Artemis, while in others he was killed by a scorpion sent by Gaia. In some versions, Orion tried to seduce Opis, one of her followers, and she killed him. In a version by Aratus, Orion took hold of Artemis' robe and she killed him in self-defense. In yet another version, Apollo sent the scorpion. According to Hyginus Artemis once loved Orion (in spite of the late source, this version appears to be a rare remnant of her as the pre-Olympian goddess, who took consorts, as Eos did), but was tricked into killing him by her brother Apollo, who was "protective" of his sister's maidenhood.

The Aloadae

These twin sons of Iphidemia and Poseidon, Otos and Ephialtes, grew enormously at a young age. They were aggressive, great hunters, and could not be killed unless they killed each other. The growth of the Aloadae never stopped, and they boasted that as soon as they could reach heaven, they would kidnap Artemis and Hera and take them as wives. The gods were afraid of them, except for Artemis who captured a fine deer (or in another version of the story, she changed herself into a doe) and jumped out between them. The Aloadae threw their spears and so mistakenly killed each other.

Callisto

Callisto was the daughter of Lycaon, King of Arcadia and also was one of Artemis's hunting attendants. As a companion of Artemis, she took a vow of chastity. Zeus appeared to her disguised as Artemis, or in some stories Apollo, gained her confidence, then took advantage of her (or raped her, according to Ovid). As a result of this encounter she conceived a son, Arcas. Enraged, Hera or Artemis (some accounts say both) changed her into a bear. Arcas almost killed the bear, but Zeus stopped him just in time. Out of pity, Zeus placed Callisto the bear into the heavens, thus the origin of Callisto the Bear as a constellation. Some stories say that he placed both Arcas and Callisto into the heavens as bears, forming the Ursa Minor and Ursa Major constellations.

Iphigenia and the Taurian Artemis

Artemis punished Agamemnon after he killed a sacred stag in a sacred grove and boasted that he was a better hunter than the goddess. When the Greek fleet was preparing at Aulis to depart for Troy to begin the Trojan War, Artemis becalmed the winds. The seer Calchas advised Agamemnon that the only way to appease Artemis was to sacrifice his daughter Iphigenia. Artemis then snatched Iphigenia from the altar and substituted a deer. Various myths have been told around what happened after Artemis took her. Either she was brought to Tauros and led the priests there, or became Artemis' immortal companion.

Niobe

A Queen of Thebes and wife of Amphion, Niobe boasted of her superiority to Leto because while she had fourteen children (Niobids), seven boys and seven girls, Leto had only one of each. When Artemis and Apollo heard this impiety, Apollo killed her sons as they practiced athletics, and Artemis shot her daughters, who died instantly without a sound. Apollo and Artemis used poisoned arrows to kill them, though according to some versions two of the Niobids were spared, one boy and one girl. Amphion, at the sight of his dead sons, killed himself. A devastated Niobe and her remaining children were turned to stone by Artemis as they wept. The gods themselves entombed them.

Chione

Chione was a princess of Pokis. She was beloved by two gods, Hermes and Apollo, and boasted that she was prettier than Artemis because she made two gods fall in love with her at once. Artemis was furious and killed Chione with her arrow or struck her dumb by shooting off her tongue. However, some versions of this myth say Apollo and Hermes protected her from Artemis' wrath.

Atalanta, Oeneus and the Meleagrids

Artemis saved the infant Atalanta from dying of exposure after her father abandoned her. She sent a female bear to suckle the baby, who was then raised by hunters. But she later sent a bear to hurt Atalanta because people said Atalanta was a better hunter. This is in some stories. Among other adventures, Atalanta participated in the hunt for the Calydonian Boar, which Artemis had sent to destroy Calydon because King Oeneus had forgotten her at the harvest sacrifices. In the hunt, Atalanta drew the first blood, and was awarded the prize of the skin. She hung it in a sacred grove at Tegea as a dedication to Artemis. Meleager was a hero of Aetolia. King Oeneus had him gather heroes from all over Greece to hunt the Calydonian Boar. After the death of Meleager, Artemis turned his grieving sisters, the Meleagrids into guineafowl that Artemis loved very much.

Aura

In Nonnus' Dionysiaca, Aura was Greek goddess of breezes and cool air, daughter of Lelantos and Periboia. She was a virgin huntress, just like Artemis, and proud of her maidenhood. One day, she claimed that Artemis' body was too womanly and she doubted her virginity. Artemis asked for Nemesis' help to avenge her dignity and caused the rape of Aura by Dionysus. Aura became a mad and dangerous killer. When she bore twin sons, she ate one of them while the other one, Iakhos, was saved by Artemis. Iakhos later became an attendant of Demeter and the leader of Eleusinian Mysteries.

Trojan War

Artemis may have been represented as a supporter of Troy because her brother Apollo was the patron god of the city and she herself was widely worshipped in western Anatolia in historical times. In the Iliad she came to blows with Hera, when the divine allies of the Greeks and Trojans engaged each other in conflict. Hera struck Artemis on the ears with her own quiver, causing the arrows to fall out. As Artemis fled crying to Zeus, Leto gathered up the bow and arrows.

Artemis played quite a large part in this war. Like her mother and brother, who was widely worshiped at Troy, Artemis took the side of the Trojans. At the Greek's journey to Troy, Artemis becalmed the sea and stopped the journey until an oracle came and said they could win the goddess' heart by sacrificing Iphigenia, Agamemnon's daughter. Agamemnon once promised the goddess he would sacrifice the dearest thing to him, which was Iphigenia, but broke the promise. Other sources said he boasted about his hunting ability and provoked the goddess' anger. Artemis saved Iphigenia because of her bravery. In some versions of the myth,, Artemis made Iphigenia her attendant or turned her into Hecate, goddess of night, witchcraft, and the underworld.

Aeneas was helped by Artemis, Leto, and Apollo. Apollo found him wounded by Diomedes and lifted him to heaven. There, the three of them secretly healed him in a great chamber.


Attributes

Bow and arrow

According to the Homeric Hymn to Artemis, she had golden bow and arrows, as her epithet was Khryselakatos, "of the Golden Shaft", and Iokheira (Showered by Arrows). The arrows of Artemis could also to bring sudden death and disease to girls and women. Artemis got her bow and arrow for the first time from The Kyklopes, as the one she asked from her father. The bow of Artemis also became the witness of Callisto's oath of her virginity. In later cult, the bow became the symbol of waxing moon.

Chariots

Artemis' chariot was made of gold and was pulled by four golden horned deer (Elaphoi Khrysokeroi). The bridles of her chariot were also made of gold.

Spears, nets, and lyre

Although quite seldom, Artemis is sometimes portrayed with a hunting spear. Her cult in Aetolia, the Artemis Aetolian, showed her with a hunting spear. The description about Artemis' spear can be found in Ovid's Metamorphosis, while Artemis with a fishing connected with her cult as a patron goddess of fishing. As a goddess of maiden dances and songs, Artemis is often portrayed with a lyre.

Deer

Deer were the only animals held sacred to Artemis herself. On seeing a deer larger than a bull with horns shining, she fell in love with these creatures and held them sacred. Deer were also the first animals she captured. She caught five golden horned deer called Elaphoi Khrysokeroi and harnessed them to her chariot. The third labour of Heracles, commanded by Eurystheus, consisted in catching the Cerynitian Hind alive. Heracles begged Artemis for forgiveness and promised to return it alive. Artemis forgave him but targeted Eurystheus for her wrath.

Hunting dog

Artemis got her hunting dogs from Pan in the forest of Arcadia. Pan gave Artemis two black-and-white dogs, three reddish ones, and one spotted one - these dogs were able to hunt even lions. Pan also gave Artemis seven bitches of the finest Arcadian race. However, Artemis only ever brought seven dogs hunting with her at any one time.

Boar

The boar is one of the favorite animals of the hunters, and also hard to tame. In honor of Artemis' skill, they sacrificed it to her. Oineus and Adonis were both killed by Artemis' boar.

Bear

The sacrifice of a bear for Artemis started from the Brauron cult. Every year, a little girl age between five and ten was sent to Artemis' temple at Brauron. Arktos e Brauroniois, a text by, Suidas, a Byzantine writer, told a legend about a bear that was tamed by Artemis, and introduced to people of Athens. They touched it and played with it, until one day a group of young girls poked the bear which became furious and attacked the girls. One of the girls' brother found out what had happened and killed the bear so Artemis sent a plague in revenge. The Athenians consulted an oracle to understand how to end the plague. The oracle suggested that, in payment for the bear's blood, every young Athenian virgin should not be allowed to marry until she had served Artemis in her temple ('played the bear for the goddess').

Guinea fowl

Artemis felt pity for the Meleagrids as they mourned for their lost brother, Meleagor, so she transformed them into Guinea Fowl to be her favorite animals.

Buzzard hawk

Hawks were the favored birds of many of the gods, Artemis included.

Palm and Cypress were issued to be her birth place. Other plants sacred to Artemis are Amaranth and Asphodel.

Epithets

As Aeginaea, she was worshiped in Sparta; the name means either huntress of chamois, or the wielder of the javelin. She was worshipped at Naupactus as Aetole; in her temple in that town there was a statue of white marble representing her throwing a javelin. This "Aetolian Artemis" would not have been introduced at Naupactus, anciently a place of Ozolian Locris, until it was awarded to the Aetolians by Philip II of Macedon. Strabo records another precinct of "Aetolian Artemos" at the head of the Adriatic. As Agoraea she was the protector of the agora. As Agrotera, she was especially associated as the patron goddess of hunters. In Elis she was worshiped as Alphaea. In Athens Artemis was often associated with the local Aeginian goddess, Aphaea. As Potnia Theron, she was the patron of wild animals; Homer used this title. As Kourotrophos, she was the nurse of youths. As Locheia, she was the goddess of childbirth and midwives. She was sometimes known as Cynthia, from her birthplace on Mount Cynthus on Delos, or Amarynthia from a festival in her honor originally held at Amarynthus in Euboea. She was sometimes identified by the name Phoebe, the feminine form of her brother Apollo's solar epithet Phoebus.



Archetypal relationships: Artemis & Apollo

Apollo

Mythology

Apollo was the Sun god, the lawgiver, and the god of art, music, and poetry. With the motto "Nothing in excess," this was art of good taste and moderation. Apollo became god of prophecy after killing the oracular serpent Python. This symbolized an archaic goddess of prophecy superseded by the rule of law. Today we use laws to make prophecies, e.g., "If you park in that handicapped space you'll get a ticket." Or we use Oracle(r) computer databases to predict everything from elections to economics.

Emotional Control System

The right hemisphere of the cerebral cortex processes new information. It's connected to the limbic brain, and so we incorrectly say that emotions are "right brain." Saying that the right hemisphere is more holistic is more accurate. The left hemisphere, in contrast, analyzes information and creates logic, associations, and abstractions. Language is produced in the left hemisphere. The left hemisphere develops later in utero than the right hemisphere, and is thought to have evolved later. The left hemisphere is poorly connected to the limbic and reptilian brains. Individuals who embody Apollo live the "life of the mind," unconnected to their emotions or bodies. New ideas usually arise from a person with all three brain systems integrated. Apollo men dislike new ideas. They prefer the classics, which can be appreciated solely with one's left hemisphere.

Life Purpose

Like the Sun, an Apollo man's life purpose is to illuminate the darkness, via clear thinking following abstract principles. These men shine. They're "bright."

Shadow

Apollo was Zeus's son.  Apollo men function best as vice-presidents or the "right hand man" of a powerful leader. These men aren't leaders. Apollo men observe events without getting emotionally involved. Their lives can become detached or compartmentalized. They dislike spontaneity. They want to see a schedule before committing to attend an event. They like to read a book - or every book there is - on a subject before beginning a project.

Under Stress

Under stress, Apollo becomes Demeter. When the going gets tough, an Apollo second-in-command takes care of the subordinates that the Zeus leader forgets about.

When Safe

When safe, Apollo men become Artemis/Ares/Hephaestus. Their hobbies are goal-directed, e.g., collecting stamps. Apollo men are sports fans. They can work hard when they feel safe.

Sex

Schedule it into his Daytimer or it won't happen.


Artemis

Mythology

Artemis roamed the wilderness with her band of nymphs and her pack of dogs. As a hunter and an archer, her arrows always hit her target. Women who embody Artemis are goal-oriented. They enjoy "the chase" of elusive quarry. Their perseverance leads to accomplishment and achievement. Artemis rescued anyone (especially women) in physical danger who appealed for her help. Artemis was the goddess of childbirth. The Romans knew Artemis as Diana.

Emotional Control System

Artemis energy is about seeking and anticipation - the goal-directed search for food, shelter, mates, etc.

Life Purpose

An Artemis woman's life purpose is to achieve goals.

Shadow

Too much Artemis energy results in endless searching, to the point of exhaustion. Or an Artemis woman can be "so focused on her own aims and undistracted that she fails to notice the feelings of others around her."

Artemis's shadow includes contempt for vulnerability, and difficulties with intimacy. She was associated with goal-directed, merciless, destructive rage: Outrage at wrongs done, loyalty to others, strength to express a point of view, and a propensity to take action can be very positive characteristics of Artemis and Artemis women. But the mercilessness of the punishment they mete out can be appalling with intense hostility that was often out of proportion to the particular provocation.

Under Stress

Under stress, Artemis becomes her brother Apollo. Artemis women think clearly and unemotionally under pressure.

When Safe

When safe, Artemis becomes Demeter. When they can, Artemis women help less-fortunate individuals.

Sex

Artemis women see sex as an adventure. For them, sex is a recreational sport, not an expression of commitment (Hera) or an occasion for sensuality (Aphrodite). A lesbian Artemis woman will have many friends, a band of nymphs looking for adventure. If her lover is another Artemis woman (her "identical twin") she should consider whether her partner is her best friend or her romantic lover. She may better off with a more feminine lover - the goddess and her nymph.


Apollo-Artemis Marriage

An Apollo-Artemis marriage tempers goal-seeking (and adventure) with good sense. A couple that successfully uses this energy achieves their goals - and has stories to tell their grandchildren.

Apollo

Apollo men approach marriage as they approach applying to law school. They rationally decide whether a woman will be a good match, rather than acting on passion or impulse.

Artemis

For a relationship with an Artemis woman, a man shouldn't be Orion, the hunter and Ares archetype. Her competitive nature unintentionally caused his death. Challenge her, and she'll obsess until she wins-another man to beat. But if he moves closer emotionally, wants to marry her, or becomes dependent on her, the excitement of the "hunt" is over. Moreover, she may lose interest or feel contempt for him if he shows "weakness" by needing her. As a result, an Artemis woman may have a series of relationships that go well only as long as the man keeps some emotional distance and is not always available. The lasting relationship for an Artemis woman is with an Apollo man. Apollo was her twin brother. Her domain was the wilderness. His was the city. He was the Sun god. She was the Moon goddess. He was the god of domesticated animals. She was the goddess of wild animals. He was the god of laws. She lived in the wilderness, away from civilized laws. This relationship starts as brother and sister. The Artemis woman may have another boyfriend (or girlfriend). Give her space to roam, and she'll be back at your door when she's "in town."

Apollo and Artemis work well together because they both tend towards being emotional 'escape artists'. Apollo lives in the intellect to the exclusion of emotion. Artemis is very threatened by emotional attachment, and so Apollo's lack of emotional involvement allows her room to breathe. The story of Atalanta and Hippomenes shows how to marry an Artemis woman. Atalanta was a beautiful princess. She enjoyed hunting and sports. Many men wanted to marry her. She promised to marry the first man to outrun her in a race. Losers were immediately killed. Atalanta won race after race. This is a metaphor that competing with an Artemis woman kills the relationship.

Unathletic Hippomenes (an Apollo man) truly loved her. He decided that death was better than life without her. He prayed to Aphrodite for help. Aphrodite gave him three golden apples. When Atalanta took off ahead of Hippomenes, he threw the first golden apple into her path. She stopped to pick it up. She saw her face reflected, but distorted by the curving apple. She realized that she would not be young and beautiful forever. Someday her body would sag like the reflection in the apple. Hippomenes passed her as she pondered this insight. Atalanta took off again, repassing him. He threw the second golden apple. When she stopped to pick it up, Aphrodite caused Atalanta to see in the shiny apple her dead lover, Meleager. She yearned when she remembered their physical and emotional closeness. Hippomenes passed Atalanta again. She took off and repassed him again. He threw the last golden apple. When she stopped to pick it up, Demeter caused Atalanta to see her reflection, surrounded by loving children. Atalanta was transfixed by the realization that she wanted a family. Hippomenes ran across the finish line. They married that afternoon.

http://en.wikibooks.org/wiki/Relationships/Apollo-Artemis


Thursday, June 30, 2011

The Artemis archetype: a deeper look

Artemis possesses an extroverted and independent temperament (polar opposite to Athena)--represents the goddess of Nature--concerned with matters of the outdoors, animals, environmental protection, women’s communities--she is practical, adventurous, athletic and preferring solitude. She symbolizes regenerative earth power over all living things. Both Artemis and Athena bore arms as protectress goddesses. Historically, Artemis was born quickly by her mother, Leto. However, due to a curse from Hera, Artemis was the one who, immediately following her own birth, assisted her mother’s delivery of her brother in a long and difficult labor. She became known as the patroness of childbirth.

Artemis, armed with bow and arrow, possesses the power to inflict plagues and death or to heal. She is known as the protectress of little children, baby animals and, yet, she also loves the hunt.

Artemis is one of the ‘virgin’ androgynous goddesses. Due to her well-integrated masculine energy and independence, Artemis does not possess much need for a man to complete her. Her awareness is focused. A predominately Artemis type woman may enjoy a companion who will work along side her sharing her practical pursuits--parallel relatedness in shared activities, yet, each one retaining their strong and distinct identities in their fairly separate lives. They may come together enjoying a deep, intuitive connection with minimal ‘chatter’. Artemis, the goddess, was known to shun men.


The ancient Olympian Goddesses - a deeper look

Artemis - represents the feminine archetype of Nature & the Wilds--virgin, pure, primitive-- of wild places--Mother of Creatures. The function of virgins was to dispense the Mother’s grace to heal, to prophesy, to perform sacred dances, to wail for the dead. Artemis' image at Ephesus depicts a torso covered with breasts conveying her as the fertile nurturer of all living things. She was also the Huntress, killer/destroyer of the very creatures she brought forth--demonstrating the light and dark side of the goddess.

Psychologically, Artemis belongs to the category of ‘virgin’ goddess--self-directed, autonomous, focused consciousness.

    * To the Romans, Artemis was known as Diana.
    * Her ‘masculine’ energy can be deeply transformed or sublimated in highly creative ways.
    * Androgynous nature--containing both feminine and masculine energies--complete, whole in and of herself - her true relationship is with herself.
    * Androgynous energy contained within converts to visions, mystical experiences, and a deep, enduring compassion for all of Nature.
    * Lover of animals and the serenity found in Nature, on the one hand
    * And, destroyer, Artemis-goddess leads the nocturnal hunt deep in the forest.
    * Similar to Athena, psychologically--youthful, boyish, independent, strong, autonomous, energetic, born with strong masculine qualities in her nature and, particularly for Artemis, an intense love of freedom.
    * Disposed to gender-role confusion
    * Solitary nature teaching her self-sufficiency & independence--prophesy, poetry, music, magic and healing
    * Artemis women allow Nature to frequently replace human relations--requiring solitary retreat whereby the ego is free from external stimulation.
    * Artemis women find that the non-stop presence of others hinders her presence to herself, therefore, requiring retreat into the solitude of natural world and offering reconnection to her inner self.
    * Many Artemis women, who would prefer living closer to Nature, are displaced in cities
    * Disinclined by their true nature toward role of wife/motherhood or for the values of conventional society - Artemis types may prefer companionship of women who share her sense of presence of self and self-sufficiency

Mythological history


          o Artemis’ mother was Leto, a nature deity who bore Artemis without pain. Artemis’ father was Zeus.
          o Artemis, directly following her own birth--a newborn, herself, Artemis assisted as midwife to her mother, Leto, throughout a very difficult birth to her twin brother, Apollo. Artemis was subsequently considered a goddess of childbirth.
          o Artemis, the protectress, on many occasions ‘rescued’ her own mother.
          o At Ephesus, Artemis was worshiped as the many-breasted Great Mother.
          o Classic Greek historians, on the other hand, depict her as a virgin who never mothers a child of her own, shunning men and living in the forest on the fringe of the inhabited world.
          o Artemis - the patroness of midwives -- Mother of Birth and of Death/Huntress and taker of life - representing both the Light and the Dark side of the goddess’ nature.
          o Artemis, who is every bit as beautiful as Aphrodite, makes sacred--solitude, natural and primitive living--she is not flattered by or interested in male suitors.
          o Artemis severely punishes any man who lays eyes on her naked body - she turned one spying man into a deer and his hunting dogs, no longer recognizing him, tore him apart.
          o Artemis possesses deep sympathy for the Earth and all it’s living beings and employs the role of protectress--she is enraged by the exploitation of nature and powerless creatures.
          o Artemis is Apollo’s twin sister - Dionysus is the dark brother of Apollo.
          o Artemis may have, early on, prior to later Greek patriarchal manipulation, been the Great Mother, triple in her power as Maiden, Mother and Crone. Artemis may likely be one of the oldest of all the Greek goddesses--belonging to the most ancient layer of human memory.


Challenges facing Artemis

          o She tends to avoid her vulnerability in relation to others--hiding her emotional needs, even to herself.
          o Artemis tends toward emotional distancing--difficulty trusting relationship.
          o Growth for Artemis type woman is in developing her less conscious, human relationship side of herself.
          o Artemis type needs rewarding and challenging goals toward which to strive, if Artemis is unable to find fulfilling self-expression in her life she will feel increasingly frustrated and depressed.

Artemis’ dark side

Primitive power of her bloodlust, ‘righteous rage’ - Artemis woman’s task is to confront her ‘inner wild boar’ - while sacrificing her ‘righteous and avenging’ goddess. She does this by humbly accepting her own flaws and mistakes as a human woman, compassionate with herself, first, then she may hold compassion towards others.


Artemis’ wound

Self-esteem issues involving intimate relationship resulting from early isolation from other girls and, later, sense of rejection/exclusion by boys.


Artemis’ gifts

Ability to focus, set goals and reach them; autonomy/independence, ability to develop meaningful connection with other women.

 Artemis’ personality

          o As a child & adolescent:
                + Strong, tom-boyish body, keenly instinctual connection with her body.
                + She rejects the culturally prescribed behavior & interests of little girls as charming and compliant pleasers - may be criticized for appearing unfeminine.
                + Athletic, competitive, persevering
                + She may have her own horse, or at least love to ride horses.
                + She is an animal lover, determined to become a veterinarian.
                + She loves the woods-exploring plants, forests, streams, wild creatures, an adventurer

          o As an adult woman:
                + Strong adolescent persona persists even as an adult
                + Non-traditional in her interests and approach to life
                + Usually chooses her field of work as a result of her passion--sportswoman, biologist, veterinarian, geologist, environmental advocate, healer, herbalogist, shaman or other solitary professions
                + Holds feminist views and sisterly affiliations with other women
                + Sexual expression leans more toward recreational sport or excitement of a new experience more so than for emotional intimacy - In later life sexuality shifts to following her interests which possess personal meaning to her
                + A woman in whom Artemis archetype predominates will require a good degree of freedom and independence. Like her Athenian sister, she needs to direct her own life in a way that gives her personal fulfillment/accomplishment rather than by meeting the expectations of others.
                + She needs Nature; if she does not adequately feed herself good doses of the ‘natural’ world, she will find herself feeling out-of-sorts, irritable or depressed.
                + As a mother, if she chooses this path, she is most likely fiercely protective of her children’s well-being while giving them plenty of freedom to experience

http://goddess-power.com/index.htm


Sunday, June 26, 2011

Exploring the archetypes: Artemis

This series of posts is going to be both collections of all information about a particular archetype in one place as well as an ongoing exploration of the archetype, it's mythological history, relations with other archetypes, whatever comes up.


Artemis in Myth: a synopsis

ARTEMIS was the great Olympian goddess of hunting, wilderness and wild animals. She was also a goddess of childbirth, and the protectress of the girl child up to the age of marriage. Her twin brother Apollon was similarly the protector of the boy child. Together the two gods were also bringers of sudden death and disease--Artemis targetted women and girls, and Apollon men and boys.

In ancient art Artemis was usually depicted as a girl dressed in a short knee-length chiton and equipped with a hunting bow and quiver of arrows.

Some of the best known myths featuring the goddess include:

■Her birth, immediately following which she assisted her mother in the birth of her twin brother Apollon;
■The Trojan War where she was beaten by Hera in an angry contest of the gods;
■The hunter Aktaion who encountered the goddess whilst she was bathing and was turned into a stag;
■The Aloadai giants who attempted to storm Olympos but were tricked by Artemis into killing each other;
■The sacrifice of Iphigeneia whom King Agamemnon offered to her for the passage of the Greek fleet to Troy;
■The giant Orion, a close companion of the goddess, who was slain by the goddess or her jealous brother;
■The Kalydonian boar sent by Artemis to ravage Kaldyon;
■The nymph Kallisto, a companion of Artemis, who was seduced by Zeus in the guise of the goddess.



From the Library of Halexandria

Another of the virgin goddesses.  Artemis was independent, nonrelational, one-in-herself, belonging to no man, with an active, focused consciousness, with little apparent need to become vulnerable (to give and receive love and comfort and support growth in others).  Artemis’ adaptation mode had been to separate from men and their influence, and join other feminists. 

Artemis is the personification of the independent feminine spirit, capable of feeling whole without a man, seeking her own goals on terrain of her own choosing, the ability to concentrate intensely on whatever was important to her, competent, capable of achievement, concerned for victimized and powerless women and young (including her mother), safe childbirth goddess, sister, back-to-nature, capable of at-oneness with herself, active rather than passive, felt strongly about her causes and principles, interests of no or limited commercial value, competitive, individualist, recreational sex advocate, where relationships were secondary, sexual intimacy as another dimension of friendship, “Wonder Woman”, a female bear (protecting girls on the threshold of being women), could be merciless, needed to develop compassion and empathy, and “the Far-Distant Artemis.”  While Artemis might rescue women and feminine values from the patriarchy, she could also require women to sacrifice and devalue what had traditionally been considered feminine (receptive, nurturing, related-to-others and willing to make sacrifices for the sake of others.)

http://www.halexandria.org/dward373.htm


Tarot Correspondences

Each archetype has two corresponding Tarot cards: one from the Minor Arcana, which shows the archetype at it's healthiest - it's the way we can manifest their power and energy. The corresponding card from the Major Arcana, on the other hand, is the divine gift of the spiritual realm that they're seeking to manifest through us.
Page of Wands

The Page of Wands has a passion for life, and is a free spirit, not weighed down by the burdens of the material world, coming and going as she pleases, usually bringing change along for the ride. Such a person often has a vivid and childlike imagination, though they may neither realize it is there or know how to develop it for creative purposes. As such her ambitions are high but not unattainable; she will challenge herself but she will probably not overstep her limits unless pushed to do so. As a Wands card, ethics are always high on her list of priorities. She accepts change because she is the agent of change, the catalyst and the creative visionary. She is also a faithful lover with almost unlimited passion and enthusiasm.

Her greatest power, in fact, is the power to deal with fears by facing them and seeing them for what they are. The light of her inner fire can expose the dark demons that you have been so afraid of, and show you that what you were running from was yourself all along. Once you see that your fears are nothing but parts of you, you can integrate them into yourself and grow stronger. Leave your fear behind and you'll be surprised how much freedom you'll win. 
The Moon (XIII)

In ancient religions the Moon deity was often a Goddess with ties to female fertility, because there was a visible correlation between the cycle of the Moon and the female menstrual cycle. While this association is still valid, the Moon of the Tarot tends to deal with fertility of imagination rather than fertility of body. The crayfish shown regularly on Moon cards is a sign of the emerging subconscious and its influence over the conscious mind, and for a mind closed to the messages of its subconscious, there can be a lot of illusion and deceptions to face. You can no longer tell what is real and what is just a manifestation of your fears and desires. There is no sunlight to guide you, no distant landmark in the hills to direct your steps, no one to travel alongside. This is a journey that must be made alone, in darkness and without a map or a compass. You must learn to rely on your own inner light to lead you along the true path. Any hesitation, any doubt, and that light will be extinguished forever. But if you believe, your light will shine forever, as brightly as the sun that will inevitably rise once this night has passed.

This card can also show times when you are not sure of your destination, or even of the path you are travelling - but you travel nonetheless. It's quite possible that you have lost your way, and are stumbling around in the dark. If you wait until the sun rises again the path may have changed and the opportunity could have been lost. So what should you do? The Moon is a card of intuition and psychic forces, so let go of your conscious mental blocks and let your intuition guide you. Not only will the way forward be revealed, but in a lot of cases you will learn lessons about yourself that will be valuable in later journeys. 
http://www.ata-tarot.com/resource/cards/index.html


Related posts

The Artemis archetype: an in-depth look
Artemis in myth
Archetypal relationships: Artemis and Apollo
Musings on Artemis


Again, much of the above descriptions comes from The American Tarot Association, Goddess Power, The Library of Halexandria and from Wikipedia pages on the various tarot cards. All credit goes to them for their brilliant explorations of the archetypes and tarot cards. Make sure you check them out yourself and get their wisdom first hand (links are over there to the right.)
 
 

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